Dallas, October 27, 2025
News Summary
Raychael Stine’s exhibition, ‘Falls and Springs and Stardust Things’, is currently showing at Cris Worley Fine Arts in Dallas. The exhibition features a collection of paintings exploring themes like transformation, memory, and cosmic connection. While blending figurative elements with abstraction, Stine’s work invites viewers to engage with interconnected motifs over time. The exhibition runs until October 25, allowing art enthusiasts to experience her vibrant palette and dynamic compositions that reflect on personal narratives and broader metaphysical ideas.
Dallas
Raychael Stine’s exhibition, titled “Falls and Springs and Stardust Things,” is currently on view at Cris Worley Fine Arts in Dallas until October 25, 2025. The show presents a new body of paintings that foreground ideas of transformation, memory and a sense of cosmic connection while asking viewers to consider fluid boundaries between the personal and the abstract.
Key details and lead elements
The artwork in this collection embodies themes of transformation, tenderness, memory, and cosmic connectivity. The presentation emphasizes both intimate subjects and expansive visual strategies, with works that are immediate in color and layered in meaning. The exhibition title reflects a meditation on various actions and elemental flows, emphasizing the ephemeral nature of life and death. Together, these elements position the exhibition as a reflective and exploratory entry in the current Dallas gallery season.
What the paintings show and how they work
Stine’s paintings feature overt figurative elements mixed with semi-heavy abstraction, illustrating a range of physical qualities through techniques like drop shadows and shading that trick the eye. Her surfaces often combine clear pictorial shapes with ambiguous passages, creating moments where form and formlessness coexist. The artist draws from her own history, embodying personal themes in her artwork, which includes images of flowers, dog heads, droplets, and hearts that resemble stickers placed on the canvas. Motifs recur across canvases, and these repeated figures help build a sense of continuity through the exhibition.
Connections across works
Stine’s previous works inform her current compositions, as she retains elements from past paintings to create a cohesive visual narrative. That practice means individual canvases reference one another and the artist’s longer arc, rather than functioning only as isolated objects. Each painting is interlinked, encouraging a desire to engage with the colorful world she creates rather than longing for individual pieces. The effect is a grouped experience in which viewers are invited to move through related images and see the development of forms and subjects across the gallery space.
Technique, influences and particular works
Stine’s unique touch and confident choices allow her to occupy “in-between” states in her work, showcasing both abstract and hintingly figurative elements. This balance is apparent in surface handling and compositional decisions that leave room for ambiguity. She previously worked as an assistant to painter Richard Patterson for three years, focusing on precise color mixing, which influences her current work. That background is visible in the careful color relationships and layered paint handling found across the canvases.
Stine has a longstanding subject interest in dogs, often portrayed in various abstracted or ghostly forms within her landscapes. This recurring subject ties to personal narrative and a broader visual vocabulary. One notable piece in the show is her painting “Time Passages (the universe she is beautiful beautiful beautiful)” features a complex vortex of alternate spaces and bold references, reflecting a blend of playful and cosmic elements. That work exemplifies the way smaller motifs and larger conceptual moves interact in the exhibition.
Critical context and significance
Stine’s work includes a sophisticated layering of paint applications, inviting viewers to explore intricate depths and artistic choices. The accumulation of marks, color and form offers a tactile sense of making that supports the exhibition’s thematic concerns. The exhibition showcases how Stine synthesizes her interests into a coherent visual language, offering a lesson in artistic evolution and identity. Critics have noted the vitality of her palette and the kinetic quality of her compositions.
Critics have highlighted Stine’s ability to evoke emotion and energy through her vibrant color choices and dynamic compositions, making her artwork feel alive and engaging. Viewers encountering the show can expect both immediate visual appeal and layered referential content. The paintings serve as emblems of the underlying beauty within life’s matrix, merging terrestrial experiences with celestial ideas. Stine’s approach ties intimate, everyday imagery to wider metaphysical concerns.
Artist trajectory and local impact
Stine has been recognized for her unique artistic journey, reflecting on experiences of her childhood and transformative influences in her life and art. The exhibition is presented as part of her ongoing development as a painter. The exhibition marks a moment of reflection and advancement for Stine within the broader context of the Dallas art scene, celebrating her continued evolution as an artist. The show adds to a season of programming that highlights contemporary painters working at the edge of figuration and abstraction.
Practical information
The exhibition is on view at Cris Worley Fine Arts in Dallas through October 25, 2025. Visitors should consult the gallery’s schedule for hours and any access guidelines before planning a visit.
FAQ
When is the exhibition on view?
Raychael Stine’s exhibition, titled “Falls and Springs and Stardust Things,” is currently on view at Cris Worley Fine Arts in Dallas until October 25, 2025.
What themes does the collection explore?
The artwork in this collection embodies themes of transformation, tenderness, memory, and cosmic connectivity.
What does the exhibition title reflect?
The exhibition title reflects a meditation on various actions and elemental flows, emphasizing the ephemeral nature of life and death.
How would you describe Stine’s painting style?
Stine’s paintings feature overt figurative elements mixed with semi-heavy abstraction, illustrating a range of physical qualities through techniques like drop shadows and shading that trick the eye.
What imagery does Stine use?
The artist draws from her own history, embodying personal themes in her artwork, which includes images of flowers, dog heads, droplets, and hearts that resemble stickers placed on the canvas.
How are the paintings linked across the exhibition?
Stine’s previous works inform her current compositions, as she retains elements from past paintings to create a cohesive visual narrative.
Are the paintings meant to be seen as a group?
Each painting is interlinked, encouraging a desire to engage with the colorful world she creates rather than longing for individual pieces.
What formal position does Stine occupy in her work?
Stine’s unique touch and confident choices allow her to occupy “in-between” states in her work, showcasing both abstract and hintingly figurative elements.
What past professional experience influenced her color work?
She previously worked as an assistant to painter Richard Patterson for three years, focusing on precise color mixing, which influences her current work.
Does Stine revisit certain subjects?
Stine has a longstanding subject interest in dogs, often portrayed in various abstracted or ghostly forms within her landscapes.
Is there a notable painting in the show?
Her painting “Time Passages (the universe she is beautiful beautiful beautiful)” features a complex vortex of alternate spaces and bold references, reflecting a blend of playful and cosmic elements.
What technical aspects stand out?
Stine’s work includes a sophisticated layering of paint applications, inviting viewers to explore intricate depths and artistic choices.
What does the exhibition reveal about the artist?
The exhibition showcases how Stine synthesizes her interests into a coherent visual language, offering a lesson in artistic evolution and identity.
How have critics responded?
Critics have highlighted Stine’s ability to evoke emotion and energy through her vibrant color choices and dynamic compositions, making her artwork feel alive and engaging.
What overarching ideas do the paintings convey?
The paintings serve as emblems of the underlying beauty within life’s matrix, merging terrestrial experiences with celestial ideas.
How is this exhibition significant for Stine?
Stine has been recognized for her unique artistic journey, reflecting on experiences of her childhood and transformative influences in her life and art.
What is the show’s significance locally?
The exhibition marks a moment of reflection and advancement for Stine within the broader context of the Dallas art scene, celebrating her continued evolution as an artist.
| Feature | Detail |
|---|---|
| Title | Falls and Springs and Stardust Things |
| Venue | Cris Worley Fine Arts in Dallas |
| Dates | On view until October 25, 2025 |
| Themes | Transformation; tenderness; memory; cosmic connectivity |
| Style | Figurative elements mixed with semi-heavy abstraction; layered paint application |
| Recurring motifs | Flowers, dog heads, droplets, hearts |
| Notable painting | Time Passages (the universe she is beautiful beautiful beautiful) |
| Influence | Assistantship to Richard Patterson with emphasis on precise color mixing |
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Additional Resources
- Glasstire: Review Raychael Stine’s Chimerical Colors
- Meer: Falls and Springs and Stardust Things
- Glasstire: One Work Short Take Raychael Stine at Cris Worley Gallery
- D Magazine: Raychael Stine’s Technicolor Return to Dallas
- Dallas Observer: Things to Do This Week in Dallas
- Wikipedia: Raychael Stine
- Google Search: Raychael Stine
- Encyclopedia Britannica: Raychael Stine
- Google Scholar: Raychael Stine
- Google News: Raychael Stine
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