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Sculptor Kat Warwick’s Unique Approach to Stone Carving

Abstract sculpture representing the interplay of polished and rough stone surfaces.

East Dallas, September 24, 2025

News Summary

Kat Warwick, a sculptor from East Dallas, captivates with her unique method of stone carving that emphasizes collaboration between artist and material. Known for her meaningful works like a female torso and the sculpture ‘Unencumbered’, Warwick blends art with community engagement, especially during the pandemic. Her teaching initiatives have introduced local children to art and math through hands-on experiences outside her home. With plans for larger public sculptures, Warwick continues to champion the importance of joy and reflection in her art.

East Dallas

Lead

Kat Warwick is a sculptor based in East Dallas, known for her unique approach of listening to the stone to determine what it wants to become. She has gained attention for a practice that treats carving as a collaboration between artist and material, using two primary methods: executing a predetermined plan or waiting for the stone to reveal its identity.

Key developments

One of her most meaningful sculptures, a female torso, emerged after the stone rejected her initial ideas of carving it into an octopus or a heart. Another notable work, titled Unencumbered, features a green marble stone that Warwick allowed to retain visible scars, illustrating a contrast between polished and rough surfaces and a broader theme of embracing imperfections as part of identity.

During the COVID-19 pandemic, she gained attention for carving stones in her front yard, which attracted local families and led to teaching children about art and related math skills. Those informal demonstrations and classes produced a formal commission to create a memorial sculpture honoring Virginia Savage McAlester.

Artistic intent and goals

Warwick describes her creative process as a partnership between herself and the stone, acknowledging that the idea of letting the material guide decisions can seem unconventional. She aims to create larger sculptures, envisioning works that are 10 to 20 feet tall, to make a more significant artistic statement. Her mission through her art is to bring joy to the world, believing that joy better equips people to handle life’s challenges.

Background and training

Warwick was artistically inclined from childhood and pursued art classes in college, though her degree is in advertising. Her early career included dance teaching before she transitioned into visual art instruction. She worked in a range of roles across sales and project management and spent time with an architectural stone company, where experience with materials and fabrication informed later sculptural work.

In the 2010s, Warwick began taking clay sculpting classes, then moved into stone sculpture, a shift she describes as much more physically demanding. An art instructor who mentored her later encouraged her to take over the stone sculpting class, accelerating her move into teaching and producing larger, public-facing work.

Teaching and community engagement

Warwick’s front-yard carvings during the pandemic became hands-on lessons for neighborhood children and families, integrating basic art concepts and spatial reasoning with practical math skills. She has framed teaching as a key component of her practice, connecting process-based sculpture work to broader educational outcomes.

She also advocates for community support of local artists through direct purchases, attendance at performances, and active engagement with creatives. This local engagement aligns with her broader objective of creating pieces that prompt discussion, reflection, and shared experiences.

Process and themes

Warwick works either from a preset plan or by allowing the stone to indicate its form. The partnership approach means she may attempt several directions for a block before a final figure or concept emerges. Themes in her work include identity, the interplay between exterior polish and internal roughness, and the visible record of lived experience represented by scars or imperfections left in the stone.

Her practice traces influence to familial connections to art; she cites a mother who painted but did not pursue art more fully due to cultural limitations, motivating Warwick to pursue visible creative work that can spark conversations and provide enjoyment.

What’s next

Warwick plans to scale up the size of her public pieces and continue combining teaching with commissioned work and studio practice. She prioritizes projects that invite reflection and community interaction while seeking opportunities to place larger sculptures in public and private settings.


FAQ

What is Kat Warwick’s artistic approach?

Kat Warwick is a sculptor based in East Dallas, known for her unique approach of listening to the stone to determine what it wants to become.

How does she decide what to carve?

She has two primary methods of working: executing a predetermined plan or waiting for the stone to reveal its identity.

Are there examples of stones that guided the final work?

One of her most meaningful sculptures, a female torso, emerged after the stone rejected her initial ideas of carving it into an octopus or a heart.

Which works drew public attention during the pandemic?

During the COVID-19 pandemic, she gained attention for carving stones in her front yard, which attracted local families and led to teaching children about art and related math skills.

What are her future artistic goals?

She aims to create larger sculptures, envisioning works that are 10 to 20 feet tall, to make a more significant artistic statement.

What is the purpose of her art?

Her mission through her art is to bring joy to the world, believing that joy better equips people to handle life’s challenges.

Key Feature Detail
Location East Dallas
Artistic Approach Listening to the stone to determine what it wants to become; either planned or emergent
Notable Works Female torso that emerged after initial ideas were rejected; Unencumbered with green marble and visible scars
Community Engagement Front-yard carving demonstrations during COVID-19 that taught children art and math; led to a commission memorializing Virginia Savage McAlester
Future Plans Create larger sculptures, envisioning works 10 to 20 feet tall
Artistic Mission Bring joy to the world and inspire reflection and understanding

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